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Project Dictionary ot the Caucasus: From Ethnography to Conceptualist Exhibition. Summary

Опубликовано на портале: 23-09-2013
Laboratorium. Журнал социальных исследований. 2013.  № 2. С. 240-243. 
Тематический раздел:
What is the genre of the Dictionary of the Caucasus exhibition (Tsaritsyno Museum, Moscow, 2012) that brought together artifacts from seventeen public institutions in Moscow, St. Petersburg, and Makhachkala, from private collections and the studios of contemporary artists, and whose catalog contained over 1,500 illustrations? Why were Ivan Aivazovskii’s paintings displayed next to archaeological artifacts and weapons, and ethnographic costumes next to contemporary art installations? Why was this vast and varied material assembled together—and why was it presented neither by region or local traditions nor in chronological order, but alphabetically: by keywords with which the Caucasus is associated in Russian culture? How, if at all, does this illustrate ethnographic conceptualism, the subject of this special issue?
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